From Couchiching to Yakima, Cherokee to Apache, each First Nations tribe offers a unique glimpse into their traditions on the subject of Bigfoot. Read More
The Crypto Crew team uncover and document evidence of the elusive legend known as Bigfoot. Read More
Who Said Apes Have No Tales! is a collection of previously untold anecdotes from the filming of the original Planet of the Apes and three of its four sequels. Read More
In April of 1942, three men hailed a taxi to take them to Virginia across Black Mountain, where they killed the taxi driver atop the highest peak. Read More
Guided by a local man, an investigative team heads deep into the woods near a small Alabama town to try to catch a rumored Sasquatch on film. Read More
Join Jason Kenzie as he and various guest search for evidence of Bigfoot. Read More
Sarah, an older God fearing widow, opens her home to women only to discover their brokenness. Read More
Here’s a look at our February numbers. We did see another slight uptick from January, which is a positive shift after several months of instability in the market. While overall revenue remains lower than in previous years, this improvement shows that conditions may be beginning to stabilize.
Our push to rebuild revenue through a stronger YouTube presence and more direct partnerships is already starting to pay off. These steps are helping cushion the impact of the wider market slowdown, and we’ll keep leaning into them as we move forward.
We’ll keep monitoring trends closely and stay focused on reaching new audiences, improving visibility, and creating additional income opportunities for everyone involved.
*Top Digital Purchases of the month:
We’re working to offset these losses through expanded marketing efforts and several new ventures already underway. Our push into YouTube and direct partnerships is showing early signs of promise, and we expect these avenues to continue growing as we refine and expand them.
We also believe additional streaming services will step up to fill the gap left by recent platform changes, creating new opportunities for filmmakers to regain lost revenue. In the meantime, we strongly encourage all filmmakers and authors to continue self‑promoting and building their own visibility; it remains one of the most effective tools in today’s landscape.
Why reviews carry so much weight
Reviews tell platforms that a film is being watched, discussed, and valued. Even a handful of new reviews can shift how a title is treated internally.
They influence:
A review is more than an opinion; it’s a signal that the film is alive.
š¬ How reviews help indie films specifically
Indie films don’t have the luxury of studio marketing or built‑in audiences. Reviews become the “street team” that big studios pay for.
They:
A single review can do more for an indie film than a paid ad.
š£ What creators can do to encourage reviews
Creators don’t need to beg or spam. They just need to remind people:
“If you watched it, a quick review helps more than you know.”
“Tell us your favorite moment.”
“Drop a rating if you enjoyed it.”
People like feeling helpful. They just need a nudge.
š Why reviews matter long after release
Reviews don’t just help at launch.
They help:
Every new review is a fresh spark that keeps the title circulating.
ZMP
More From Zombie Media
Something strange has always lived in the mountains…
From the quiet hollers of Fourmile to the dark bends of Levi Branch, the stories in Whispers From the Mountain bring Appalachian folklore and family memories to life. Ghostly trains, lantern-bearing spirits, haunted bridges, and the unsettling presence of things that watch from the trees — these are the tales passed down through generations in the hills of Kentucky.
Author Curtis Josh Rogers shares a chilling collection of mountain encounters rooted in real places, real people, and the deep traditions of Appalachian storytelling.
If you’ve ever wondered what walks the back roads after dark… the mountains might finally be ready to answer.
ZMP
More From Zombie Media
Local viewers are the first group who feel personally connected to a film. They recognize the locations, the people, the accents, the stories. That familiarity turns into organic word‑of‑mouth, which is still the strongest form of promotion for indie titles.
Local engagement also creates the early activity platforms look for:
Those signals tell platforms the film has real interest behind it, which helps it surface in recommendations.
š” How Local Support Extends a Film’s Life
Local audiences don’t just boost the launch, they keep the film alive over time. They:
This creates a slow, steady stream of engagement that helps a film become evergreen.
š£ Why This Works Especially Well for Niche Films
Documentaries, paranormal stories, regional mysteries, and rural history all thrive on local pride. When a community feels represented, they champion the project. That’s something big studios can’t manufacture.
Local audiences turn a film from “content” into a piece of community identity, and that’s the kind of energy that keeps a title earning for years.
ZMP
What Evergreen Titles Are
Evergreen titles are films or books that never really “age out.” They don’t rely on trends, news cycles, or viral moments. Instead, they tap into subjects people search for all year long, paranormal stories, cryptids, regional mysteries, true crime, rural history, survival tales, and niche documentaries.
Evergreen titles quietly outperform “flash‑in‑the‑pan” releases because they generate steady, repeatable income instead of a short spike and a long drop. They:
This is why Zombie Media focuses on titles with long legs instead of chasing trends that burn out in a week.
š¬ Why Evergreen Content Fits Zombie Media’s Model
Zombie Media is built around longevity, not hype. Your catalog thrives because:
Evergreen titles are the reason our catalog continues to earn even when the market shifts, platforms change, or trends fade. They’re the foundation of sustainable indie distribution.
ZMP
The Other Side of the Graveyard The Gate Creaks Open …. An ominous fog obscures the ground below, and the headstones gleam pale, cloaked by ...
