

From Couchiching to Yakima, Cherokee to Apache, each First Nations tribe offers a unique glimpse into their traditions on the subject of Bigfoot. Read More
The Crypto Crew team uncover and document evidence of the elusive legend known as Bigfoot. Read More
Who Said Apes Have No Tales! is a collection of previously untold anecdotes from the filming of the original Planet of the Apes and three of its four sequels. Read More
In April of 1942, three men hailed a taxi to take them to Virginia across Black Mountain, where they killed the taxi driver atop the highest peak. Read More
Guided by a local man, an investigative team heads deep into the woods near a small Alabama town to try to catch a rumored Sasquatch on film. Read More
Join Jason Kenzie as he and various guest search for evidence of Bigfoot. Read More
Sarah, an older God fearing widow, opens her home to women only to discover their brokenness. Read More


Here’s a look at our March numbers. We saw a dip when compared to February, which is something to expect in the current market. While overall revenue remains lower than in previous years, there have been some improvements.
Our push to rebuild revenue through a stronger YouTube presence and more direct partnerships is working, but it is a slow process. These steps are helping cushion the impact of the wider market slowdown, and we’ll keep leaning into them as we move forward.
We’ll keep monitoring trends closely and stay focused on reaching new audiences, improving visibility, and creating additional income opportunities for everyone involved.
*Top Digital Purchases of the month:


Mysteries Unlimited TV – March Uptime Performance
MUTV continued its steady growth throughout March, delivering one of its strongest technical months since the channel’s rebuild. Across all logged sessions, MUTV recorded a combined 823.53 hours of uptime.
Since March contains 744 total possible hours, the higher total reflects overlapping sessions and system redundancy, a sign that the platform is running consistently across multiple streams.
March Uptime Breakdown
Effective Uptime Percentage
Based on the 744 hours available in March, MUTV achieved an estimated 90% effective uptime, marking a clear improvement over February’s 80%.
Revenue Snapshot
MUTV’s ad‑supported revenue for March matches February’s performance and shows stable, consistent returns as the channel continues to rebuild. So, it is earning for our clients
Summary
MUTV is holding steady with improved uptime, consistent revenue, and reliable streaming performance. As the catalog grows and the platform continues to stabilize, April is positioned for further gains.
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Here’s a look at our February numbers. We did see another slight uptick from January, which is a positive shift after several months of instability in the market. While overall revenue remains lower than in previous years, this improvement shows that conditions may be beginning to stabilize.
Our push to rebuild revenue through a stronger YouTube presence and more direct partnerships is already starting to pay off. These steps are helping cushion the impact of the wider market slowdown, and we’ll keep leaning into them as we move forward.
We’ll keep monitoring trends closely and stay focused on reaching new audiences, improving visibility, and creating additional income opportunities for everyone involved.
*Top Digital Purchases of the month:
We’re working to offset these losses through expanded marketing efforts and several new ventures already underway. Our push into YouTube and direct partnerships is showing early signs of promise, and we expect these avenues to continue growing as we refine and expand them.
We also believe additional streaming services will step up to fill the gap left by recent platform changes, creating new opportunities for filmmakers to regain lost revenue. In the meantime, we strongly encourage all filmmakers and authors to continue self‑promoting and building their own visibility; it remains one of the most effective tools in today’s landscape.


Why reviews carry so much weight
Reviews tell platforms that a film is being watched, discussed, and valued. Even a handful of new reviews can shift how a title is treated internally.
They influence:
A review is more than an opinion; it’s a signal that the film is alive.
š¬ How reviews help indie films specifically
Indie films don’t have the luxury of studio marketing or built‑in audiences. Reviews become the “street team” that big studios pay for.
They:
A single review can do more for an indie film than a paid ad.
š£ What creators can do to encourage reviews
Creators don’t need to beg or spam. They just need to remind people:
“If you watched it, a quick review helps more than you know.”
“Tell us your favorite moment.”
“Drop a rating if you enjoyed it.”
People like feeling helpful. They just need a nudge.
š Why reviews matter long after release
Reviews don’t just help at launch.
They help:
Every new review is a fresh spark that keeps the title circulating.
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Moo by Dustin Grammer There's something wrong with the bovine in Vine, Alabama. Something has changed. Something is not right. During th...