Slide # 1

Native Bigfoot

From Couchiching to Yakima, Cherokee to Apache, each First Nations tribe offers a unique glimpse into their traditions on the subject of Bigfoot. Read More

Slide # 2

Bigfoot The Legend is Real

The Crypto Crew team uncover and document evidence of the elusive legend known as Bigfoot. Read More

Slide # 3

Who Said Apes Have No Tales!

Who Said Apes Have No Tales! is a collection of previously untold anecdotes from the filming of the original Planet of the Apes and three of its four sequels. Read More

Slide # 4

Manzo Shepherd Story

In April of 1942, three men hailed a taxi to take them to Virginia across Black Mountain, where they killed the taxi driver atop the highest peak. Read More

Slide # 5

Steeds Ridge

Guided by a local man, an investigative team heads deep into the woods near a small Alabama town to try to catch a rumored Sasquatch on film. Read More

Slide # 6

Searching for Sasquatch Series

Join Jason Kenzie as he and various guest search for evidence of Bigfoot. Read More

Slide # 7

The Tree Widow

Sarah, an older God fearing widow, opens her home to women only to discover their brokenness. Read More

Friday, February 13, 2026

Netflix Is Not the Golden Calf

Netflix Is Not the Golden Calf Indie Filmmakers Believe It Is

For many independent filmmakers, Netflix has become a kind of modern‑day “golden calf”, the ultimate symbol of success. It’s the platform everyone talks about, the dream clients bring up again and again, and the place they imagine their film will finally “make it.”

But the truth is far less glamorous.

At Zombie Media, we’ve spent years navigating the real distribution landscape. We’ve seen what works, what doesn’t, and what actually helps filmmakers build long‑term success. And one thing is clear:

Netflix is not the promised land for indie creators.

In fact, for most filmmakers, chasing Netflix can do more harm than good.

1. Netflix is a closed door for most indie films

Despite the myth, Netflix does not:

*accept cold submissions
*browse aggregator catalogs
*pick up micro‑budget docs
*take unsolicited pitches

They license content from:

*major studios
*established production companies
*celebrity‑driven projects
*high‑budget docuseries

If you’re an independent filmmaker without a major producer or agent, Netflix simply isn’t a realistic target, and that’s not your fault. It’s just how their system works.

2. Netflix deals are not the financial windfall people imagine

When Netflix does license an indie film, the deal is usually:

*a flat fee
*for 1–2 years
*with full exclusivity

And that fee is often far smaller than filmmakers expect.

Once that check is gone, it’s gone.

There are no residuals.
No long‑tail revenue.
No ongoing income.

It’s a one‑time payout in exchange for giving up your entire distribution footprint.

3. Netflix requires you to remove your film from everywhere else

This is the part most filmmakers never hear.

A Netflix deal often requires you to pull your film from:

*Tubi
*Amazon
*Roku
*YouTube
*AVOD platforms
*FAST channels
*your own website

You lose every other revenue stream you’ve built.

For most indie films, the long tail, years of small but steady earnings, is worth far more than a one‑time Netflix license.

4. Netflix rarely promotes indie titles

Even if you get on Netflix, your film is:

*buried
*unfeatured
*unpromoted

There’s no guarantee anyone will ever see it.
Visibility is not part of the deal.

So what is the real golden calf?

Owning your ecosystem. Building your audience. Keeping your rights.

This is where Zombie Media focuses its energy, not chasing prestige, but building sustainable, long‑term success for our filmmakers.

Here’s what we’re doing instead of chasing the Netflix myth:

1. Building a multi‑platform ecosystem

Zombie Media operates across:

*YouTube (including Mysteries Unlimited TV and the Free Docs playlist)
*our own VOD site (ZMPVOD)
*FAST‑style streaming through MUTV
*AVOD‑friendly documentary distribution

This gives our filmmakers:

*multiple revenue streams
*global reach
*evergreen discoverability
*long‑tail earning potential

No single platform controls your future.

2. Protecting our clients’ rights

We don’t push creators into:

*Lifetime contracts
*exclusivity traps
*deals that erase their catalog
*agreements that kill long‑term income

Our goal is simple: Keep your rights available.

3. Prioritizing platforms that actually pay indie filmmakers

The platforms that move the needle today are:

*Tubi
*Roku
*Freevee
*YouTube
*Pluto
*niche FAST channels

These are the places where:

*paranormal content thrives
*regional stories thrive
*true crime thrives
*long‑tail documentaries thrive

This is where indie films actually get watched and actually earn.

4. Creating a home for niche, evergreen content

Zombie Media specializes in:

*paranormal documentaries
*cryptid investigations
*regional mysteries
*true crime
*rural history
* horror and other genres
*indie creators with unique voices

This content doesn’t need Netflix.
It needs the right audience, and we know where they are.

Netflix is prestige. Zombie Media is sustainability.

Netflix may look shiny from the outside, but for most indie filmmakers, it’s a dead end, a one‑time check in exchange for giving up everything else.

At Zombie Media, we’re not chasing myths.

We’re building ecosystems.
We’re protecting rights.
We’re creating long‑term revenue paths.
We’re helping filmmakers grow, not disappear into exclusivity contracts.

The real golden calf isn’t Netflix.

It’s ownership, partnership, control, and a distribution strategy built for the real world, not the fantasy one.

And that’s exactly what we’re building every day.

Work With Zombie Media

A Distribution Partner That Actually Protects Indie Filmmakers

At Zombie Media, we don’t believe in locking creators into long‑term contracts, exclusivity traps, or deals that strip away their rights. We work closely with our filmmaking partners to help them build sustainable, long‑term success, not one‑time payouts that disappear as fast as they arrive.

Our goal is simple:

Protect the filmmaker. Protect the film. Build the ecosystem.

If you’re an independent creator looking for a distribution partner who values transparency, fairness, and real‑world results, we’d love to hear from you. Whether you have a single documentary, a series, or a full catalog, Zombie Media is committed to helping you find the right platforms and the right audience, without sacrificing control of your work.

Filmmakers: Submit Your Project

We make it easy to start the conversation.
Use our official submission form to tell us about your film or book project:

👉 Distribution/Publishing Form

Once submitted, we’ll review your information and reach out to discuss the best path forward.
Your rights stay yours. Your future stays yours. We’re here to help you grow, not take over.

Streaming Services & Platforms: License Our Content

Zombie Media represents a growing library of niche, evergreen content that performs exceptionally well on AVOD and FAST platforms, including:

*paranormal documentaries
*cryptid investigations
*regional mysteries
*true crime
*rural history
*indie films with strong long‑tail appeal
* and more.

If your platform is seeking unique, engaging, and evergreen documentary content, we’re open to licensing discussions. Our catalog is curated, rights‑clean, and ready for placement.



Why Work With Zombie Media?

*We protect our filmmakers’ rights
*We avoid long‑term exclusivity traps
*We build multi‑platform ecosystems (YouTube, AVOD, FAST, VOD)
*We focus on long‑tail revenue, not short‑term hype
*We treat creators as partners, not inventory

Zombie Media isn’t chasing the Netflix myth; we’re building something real, sustainable, and creator‑focused.

Sure, we’d all love to be on Netflix, who wouldn’t? But the cost is simply too great for most indie creators. Maybe that will change someday, but right now the reality is harsh.

Netflix isn’t the enemy. It’s a fantastic and powerful platform with a massive reach. It’s simply built for a different tier of content. The structure just doesn’t benefit most independent creators. Indie filmmakers need strategies that actually work for them over the long haul.

ZMP


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